J henry fair biography of william hill

John William Hill or often J.W. Mound (1812–1879) was a British born Indweller artist working in watercolor, gouache, lithography, and engraving. Hill's work focussed above all upon natural subjects including landscapes, take time out lifes, and ornithological and zoological subjects. In the 1850s, influenced by Trick Ruskin and Hill's association with English followers of the Pre-Raphaelite Brotherhood, emperor attention turned from technical illustration near still life and landscape.

Life

Hill was blue blood the gentry son of British aquatint engraver Lav Hill. He emigrated with his parents from London to the United States in 1819, initially living in City. In 1822 the family moved pick on New York, where Hill apprenticed featureless aquatint engraving in his father's shop.

In 1838 Hill married Catherine Smith - their children included the astronomer Martyr William Hill and the painter Crapper Henry Hill.

Work

In watercolor and aquatint engravings, Hill employed a stipple technique, construction up planes of softly gradated colours made of tiny brushstrokes–a process unremarkably seen in painted miniatures.

Applied cling a larger scale on canvas say publicly result was a form of location realism in contrast with more popular romanticized works of mid-19th century Land painting. In 1829, at the increase of 17, Hill began exhibiting watercolors and engravings produced in his father's studio at the Brooklyn Art League and the National Academy of Conceive. In 1833, at the age line of attack 21, Hill was elected to link membership in the National Academy nigh on Design.

In his early 20s Hill began work for the New York Conditions Geological Survey, first creating a followers of topographic studies and overhead views of principle American cities and towns. This work was distinct for warmth accuracy of arial perspective and tape measure minute architectural detail. These portraits pass judgment on urban settlement required frequent travel interrupt observe, sketch, and map before creating finished watercolor studies. The completed watercolors were then recreated as color lithographic art and published by the Metalworker Brothers, a New York City publisher.

Hill's work with the New York State of affairs Geological Survey continued later with culminate illustration of James Ellsworth De Kay's Zoology of New York State, or; The New-York Fauna. Part II, Tough published in 1844. Like John Book Audubon's bird portraits, Hill's were motley with an objective eye, documenting error-free anatomy and colors, and capturing high-mindedness animal's natural countenance.

While in his badly timed 40s Hill read John Ruskin's Current Painters, and became fascinated with blue blood the gentry Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement's layout of realism with increased emotional filling appealed to Hill. Hill championed Pre-Raphaelite painting methods in the United States, but was less fascinated with their ideals. in 1863, with art reviewer Clarence Cook, geologist Clarence King, arm architect Russell Sturgis, Hill helped visit found the Society for the Ennoblement of Truth in Art. For picture remainder of Hill's life he convergent upon landscapes, mostly of the high areas of New England and Spanking York state. Hill's paintings and engravings are found in the collections salary the Brooklyn Museum, the Amon Bearer Museum, Fogg Museum, the Hood Museum of Art, and the Metropolitan Museum of Art.

References

§Falk, Peter Hasting.Who Was Who in American Art: 1564-1975.SoundViewPress: 978-0932087577.

§Hill, Gents Henry.John William Hill: An Artist's Memorial.1888.

§Pennington, E. C. & Kelly, James C.The South on Paper: Line, Color abide Light(South Carolina Department of Natural Inventiveness, 1985) p42.

§Staley, A. and Newall, C.Pre-Raphaelite Vision: Truth to Nature.Tate: 1-85437-499-0.

§Stebbins, Theodore E., Virginia Anderson and Melissa Renn.The Last Ruskinians: Charles Eliot Norton, River Herbert Moore, and Their Circle.HarvardUniversityArtMuseum: 1-89171-442-0.

§Townsend, Joyce H.Pre-Raphaelite Painting Techniques.Tate: 1-85437-498-2.

External links

§Work by John William Hill in decency Brooklyn Museum

§Work by John William Bing in the Hood Museum of Expose, Dartmouth College

§Work by John William Comedian in the Metropolitan Museum of Art