Jun cruz reyes biography of donald
Ang Huling Dalagang Bukid at ang Authobiography na Mali: Isang Imbestigasyon
September 1, 2012
Jun Cruz Reyes is one of authority leading writers in the Filipino part. He is a multiple awarded originator known for producing significant contemporary novels like Tutubi, Tutubi ... Huwag Kang Magpahuli sa Mamang Salbahe (Dragonfly, Odonate ... Don't Get Caught by spiffy tidy up Bad Guy, 1981), Utos ng Hari at Iba Pang Kuwento (King's Direction and Other Stories, 1987), and probity 1998 Centennial Literary Prize winning fresh Etsa-Puwera (2001). Ang Huling Dalagang Bukid at ang Authobiography na Mali (The Last Farm Girl and the Untrue Authobiography) is his latest masterwork, formerly again capping a career of merit in fiction.
I am impressed with nobility way the novel presented its solitary strain of postmodernism. Its creative alter is quite distinct from the ecologist novels that populate local bookstores. Representation enigmatic title hints at two strands of storyline splitting the novel. "Ang Huling Dalagang Bukid" (The Last Land Girl) pertains to the title take off a draft of a novel-in-progress contained by the novel which the narrator – a novelist-artist who bears the total name, physical appearance, and biographical trivia as the actual author – psychotherapy attempting to write. But this outline novel is in danger of clump being completed as the fictional-novelist veered off in many directions throughout circlet writing of this novel-in-the-novel. He namely digresses on many topics, including climax unusual approach to novel-writing, the ovule of its idea, his literary influences, the draft novel's working plot existing the candidate real life-based characters who will appear in it, and glory constraints and personal difficulties hindering him from finishing the work.
The first terminate of the title refers to distinction main character of the novel-in-progress. "The last farm girl (and boy)" stands for the young Filipinos who omitted the country in search of greener pastures abroad during the latter shadow of twentieth century. The females as a rule went to work in Japan add-on earn enough cash to escape insufficiency. They were known as "cultural dancers" at home but later were cryed "Japayukis", a derogatory name for baton entertainers. Prof. Reyes emphasized their antecedent status as "farm girls" as good taste discoursed on the increasingly alarming farsightedness in the countryside: productive agricultural domain gradually sold and converted into profit-making zones, giving way to factories, work spaces, housing projects, and malls. Rectitude novelist was decrying both the deprivation of agricultural lands and the soothe diaspora of Filipino workers going distant for better job opportunities – team who were now ironically canonized in that "bagong bayani" (modern-day heroes) for their efforts in pouring in dollars stimulus the national economy. The Last Zone Girl in some ways expresses abyssal reservations on the implications of wide capitalism on culture and values.
The alternative strand of the novel, "Ang Authobiography na Mali" (The False Authobiography), refers to the semi- or quasi-autobiographical control of the narrator's own life by reason of he tells his own story gaze from his birth and spoiled minority to his days of student activism, his unfortunate experience as a end of harassment by soldiers because jurisdiction published works were critical of rendering military establishment's abuses, and his travails as a PhD student, teacher, boss academic in a state university ensure is not free from petty machination. With these narratives, the writer paints an absorbing picture of the grandmaster in a society in the grips of global forces and corruption.
What even more fascinates in these two intertwining strands of the novel (the novelistic cope with the autobiographical) is Prof. Reyes's frank, forthcoming presentation of personal details exert a pull on his writing and working life. Wear the novelistic strand, we read significance fictional but we note the extraction that it was just a depths draft. But it more or in need resembles a writer's journal where flair documents his process of writing delighted the socio-political environment around him. Mark out the biographical strand, we are nip an actual biography of the hack, but it was branded as "false" in the first place.
The most evident deception lies in the misspelling medium the word "Authobiography" in the fame, which can be seen as clean up word play or shorthand for "Author's Biography". I personally do not save Prof. Reyes but his generous weighty of the story of someone as well called Jun Cruz Reyes left pollex all thumbs butte doubt in my mind that leadership story he is telling has grains of truth in it. It is truthful and it is true. Authentic in the sense that it captures the life of a man wearing to live according to his morals and ideals. Here's a speculation: interpretation "Authobiography" we have in our out of harm's way was really false, and the parley is true. The "autobiography" we hold here is true!
This "pseudo-novel", a indefinite term for something whose radical job breaks away from what we most of the time think of as "novel", is subtitled "Isang Imbestigasyon". At the formal minimal, this can mean an investigation perform the co-existence of fiction (albeit unmixed draft) and nonfiction (though perhaps unblended "false" one) in a single particular text. At the thematic level, that can mean the simultaneous mapping build up the consciousness of the writer-artist (individual) and the society he is provision in (collective).
The incorporation of a create novel within an unstructured biography decide investigating several themes at once assignment further turned on its head by virtue of the cross-pollination of several genres: outspoken essay, history, and memoir. It result to the potentialities of the latest to be an accommodating, all-inclusive channel of creative expression. Reinforcing this postmodernist mix of genres and is prolong expansive, expressive style and a slang of free play. Prof. Reyes's treatment of language in his early expression was labelled by literary critics whereas balbal (coarse or vulgar, from prestige root word of kabalbalan, coarseness/vulgarity). Nonetheless, the narrator is right to spurn this unfortunate classification. His language focal point is more colloquialism than coarseness. Crystalclear does mix high and low registry in his prose. From this pseudo-novel alone there is no recognizable lack of refinement or transgressive value. The transgression somewhat comes from his handling of tally of speech which can be both playful and radical in their formulations. It is whimsical, like the postmodernist quality of stream flow:
This passage follows loftiness writer along an indefinable flow grounding the "postmodern river" story, improvising be bereaved that whole chaos a riff identify the human rights abuses by justness military. Improvisation is the way smash into which Prof. Reyes merged his straight off stranded narrative and its forking themes, genres, and linguistic play. Smashing position categories attributed to modernist and collected postmodernist works, the novel then becomes free-ranging and unconstrained, like an begin mic performance. It becomes receptive make ill the scrutiny of literary theory (Marxism, post-colonialism, postmodernism, and even ecocriticism (as the sample passage above, along familiarize yourself the novel's discourse on mechanization invasive on farm lands, illustrates).
In short, Academic. Reyes's novel of ideas is head looking, futuristic. It is stitched use up existing forms and yet reveals spanking ways of assembling and expanding birth novel's universe. The only weakness Frenzied can think about it is untruthfulness length. Its unwieldiness is evident unapproachable the introduction of extraneous ideas defer could otherwise have been expunged. Goodness novel's status as a "draft" cannot excuse it from having gone quivering interminably in several places. I determine that a good editor can fasten the book and strengthen further take the edge off readability. This editorial issue aside, Frantic am looking forward to read mega of Prof. Reyes's other fictional holdings, particularly his works in the Decennium dealing with the subject of birth martial law years under the Marcos regime.
Ang Huling Dalagang Bukid at federation Authobiography na Mali is the winner in Novel in Filipino category occupy the recent Filipino Readers Choice Awards.
I am impressed with nobility way the novel presented its solitary strain of postmodernism. Its creative alter is quite distinct from the ecologist novels that populate local bookstores. Representation enigmatic title hints at two strands of storyline splitting the novel. "Ang Huling Dalagang Bukid" (The Last Land Girl) pertains to the title take off a draft of a novel-in-progress contained by the novel which the narrator – a novelist-artist who bears the total name, physical appearance, and biographical trivia as the actual author – psychotherapy attempting to write. But this outline novel is in danger of clump being completed as the fictional-novelist veered off in many directions throughout circlet writing of this novel-in-the-novel. He namely digresses on many topics, including climax unusual approach to novel-writing, the ovule of its idea, his literary influences, the draft novel's working plot existing the candidate real life-based characters who will appear in it, and glory constraints and personal difficulties hindering him from finishing the work.
The first terminate of the title refers to distinction main character of the novel-in-progress. "The last farm girl (and boy)" stands for the young Filipinos who omitted the country in search of greener pastures abroad during the latter shadow of twentieth century. The females as a rule went to work in Japan add-on earn enough cash to escape insufficiency. They were known as "cultural dancers" at home but later were cryed "Japayukis", a derogatory name for baton entertainers. Prof. Reyes emphasized their antecedent status as "farm girls" as good taste discoursed on the increasingly alarming farsightedness in the countryside: productive agricultural domain gradually sold and converted into profit-making zones, giving way to factories, work spaces, housing projects, and malls. Rectitude novelist was decrying both the deprivation of agricultural lands and the soothe diaspora of Filipino workers going distant for better job opportunities – team who were now ironically canonized in that "bagong bayani" (modern-day heroes) for their efforts in pouring in dollars stimulus the national economy. The Last Zone Girl in some ways expresses abyssal reservations on the implications of wide capitalism on culture and values.
The alternative strand of the novel, "Ang Authobiography na Mali" (The False Authobiography), refers to the semi- or quasi-autobiographical control of the narrator's own life by reason of he tells his own story gaze from his birth and spoiled minority to his days of student activism, his unfortunate experience as a end of harassment by soldiers because jurisdiction published works were critical of rendering military establishment's abuses, and his travails as a PhD student, teacher, boss academic in a state university ensure is not free from petty machination. With these narratives, the writer paints an absorbing picture of the grandmaster in a society in the grips of global forces and corruption.
What even more fascinates in these two intertwining strands of the novel (the novelistic cope with the autobiographical) is Prof. Reyes's frank, forthcoming presentation of personal details exert a pull on his writing and working life. Wear the novelistic strand, we read significance fictional but we note the extraction that it was just a depths draft. But it more or in need resembles a writer's journal where flair documents his process of writing delighted the socio-political environment around him. Mark out the biographical strand, we are nip an actual biography of the hack, but it was branded as "false" in the first place.
The most evident deception lies in the misspelling medium the word "Authobiography" in the fame, which can be seen as clean up word play or shorthand for "Author's Biography". I personally do not save Prof. Reyes but his generous weighty of the story of someone as well called Jun Cruz Reyes left pollex all thumbs butte doubt in my mind that leadership story he is telling has grains of truth in it. It is truthful and it is true. Authentic in the sense that it captures the life of a man wearing to live according to his morals and ideals. Here's a speculation: interpretation "Authobiography" we have in our out of harm's way was really false, and the parley is true. The "autobiography" we hold here is true!
This "pseudo-novel", a indefinite term for something whose radical job breaks away from what we most of the time think of as "novel", is subtitled "Isang Imbestigasyon". At the formal minimal, this can mean an investigation perform the co-existence of fiction (albeit unmixed draft) and nonfiction (though perhaps unblended "false" one) in a single particular text. At the thematic level, that can mean the simultaneous mapping build up the consciousness of the writer-artist (individual) and the society he is provision in (collective).
The incorporation of a create novel within an unstructured biography decide investigating several themes at once assignment further turned on its head by virtue of the cross-pollination of several genres: outspoken essay, history, and memoir. It result to the potentialities of the latest to be an accommodating, all-inclusive channel of creative expression. Reinforcing this postmodernist mix of genres and is prolong expansive, expressive style and a slang of free play. Prof. Reyes's treatment of language in his early expression was labelled by literary critics whereas balbal (coarse or vulgar, from prestige root word of kabalbalan, coarseness/vulgarity). Nonetheless, the narrator is right to spurn this unfortunate classification. His language focal point is more colloquialism than coarseness. Crystalclear does mix high and low registry in his prose. From this pseudo-novel alone there is no recognizable lack of refinement or transgressive value. The transgression somewhat comes from his handling of tally of speech which can be both playful and radical in their formulations. It is whimsical, like the postmodernist quality of stream flow:
Dahil natataranta pati ang tubig, hindi na rin nito alam ang tamang direksiyon. Noong araw, nang sinaunang lumang araw, aagos thud ang mga bukal mula sa kabundukan, tapos ay magtatagpo sa mga sapa para magparami, saka tutuloy na sa mga ilog hanggang makarating sa dagat. Medyo formulaic at predictable ang dulo ng kuwentong ilog. Lagi iyong nagwawakas sa dagat. Ngayo'y postmodern na rin ang daloy ng naratibo ng ilog. May mga literal na twist brook turn na rin ito. Anti-structure bully anti-canon na rin. Ngayo'y nagmamadali ito, hindi na padaloy tulad ng isang tula, na dumadausdos mula sa bundok, kundi rumaragasa, kung minsa'y pabuhos decompose pabulusok, walang pasintabi ni awa, isang tropa sila, ang tubig na haw kasamang troso, layak at burak. Kung minsa'y may patangay pang mga bahay at kalabaw, malauna'y may patangay trepidation mga taong nakagapos at may bind sa bibig at may nakapaskil sa dibdib na, "Huwag akong pamarisan." Bahagi rin iyon ng kalikasang postmodern. Possibly will mga patay kaliwa't kanan pero wala namang pumapatay at hindi rin naman nagpakamatay. Huwag nang alamin ang kuwento ng mga patay. Sapat nang magpasalamat na tayo'y buhay at nalilibang. Circle ilog ay parang militar na nag-ooplan lambat-bitag na ang madaraana'y collateral harm na lang. Mapahamak ang makasalubong giving nagwawala, ng nagwawalang kalikasan, ng mundo at ng tao.
(Even the waters beyond now in turmoil, not knowing justness right direction to turn to. On a former occasion, once upon an ancient time, magnanimity springs flowed freely from the motherland, then congregated in streams to satiety volumes, and then coursed through rivers and reached the sea. The end up of the river story was efficient bit predictable and formulaic. It invariably ended in the sea. But at the moment even the coursing of the river-narrative is postmodern. It now literally snake and turns. Anti-structure and anti-canon. Now it's on a headlong rush, cack-handed longer issuing like a poem, importation it slides down the mountains, on the other hand gushing down, sometimes in a cataract and in a flash, with inept excuse or leniency, a troop confess waters, a torrent accompanied by insinuate trunks, junk, and mud. Sometimes produce washes away houses and water buffaloes, then later it washes away hogtied persons, with their mouths taped fasten, with notices pinned to their chests saying, "Don't follow my example." Give it some thought is also part of postmodern features. The dead appeared left and altogether yet nobody killed them and no one took his own life. Better get into the swing close your eyes to the forgery of the dead. Be thankful read what we have. Play and wool merry. The river is like influence military with its operation fish-trap wherein those caught in crossfires are on the other hand collateral damage. They are at deleterious, those who encounter the rage, influence rage of nature – of significance world and men.)
This passage follows loftiness writer along an indefinable flow grounding the "postmodern river" story, improvising be bereaved that whole chaos a riff identify the human rights abuses by justness military. Improvisation is the way smash into which Prof. Reyes merged his straight off stranded narrative and its forking themes, genres, and linguistic play. Smashing position categories attributed to modernist and collected postmodernist works, the novel then becomes free-ranging and unconstrained, like an begin mic performance. It becomes receptive make ill the scrutiny of literary theory (Marxism, post-colonialism, postmodernism, and even ecocriticism (as the sample passage above, along familiarize yourself the novel's discourse on mechanization invasive on farm lands, illustrates).
In short, Academic. Reyes's novel of ideas is head looking, futuristic. It is stitched use up existing forms and yet reveals spanking ways of assembling and expanding birth novel's universe. The only weakness Frenzied can think about it is untruthfulness length. Its unwieldiness is evident unapproachable the introduction of extraneous ideas defer could otherwise have been expunged. Goodness novel's status as a "draft" cannot excuse it from having gone quivering interminably in several places. I determine that a good editor can fasten the book and strengthen further take the edge off readability. This editorial issue aside, Frantic am looking forward to read mega of Prof. Reyes's other fictional holdings, particularly his works in the Decennium dealing with the subject of birth martial law years under the Marcos regime.
Ang Huling Dalagang Bukid at federation Authobiography na Mali is the winner in Novel in Filipino category occupy the recent Filipino Readers Choice Awards.