Biography of warren beatty

Nationality: American. Born: Henry Jurist Beaty in Richmond, Virginia, 30 Strut 1938; brother of the actress Shirley MacLaine. Education: Attended Northwestern University, Evanston, Illinois; studied drama at Stella Adler Acting School. Family: Married the contestant Annette Bening, 1992, two children. Career: Had role in TV series The Many Loves of Dobie Gillis, autographed abortive contract with MGM, 1959–60; esoteric lead role in Compulsion in exemplary, and on Broadway in William Inge's A Loss of Roses, 1960–61; undemanding film debut in Elia Kazan's Splendor in the Grass, 1961; produced cheeriness film, Bonnie and Clyde, 1967; wrote first screenplay, Shampoo, co-scripted with Parliamentarian Towne, 1975; made directorial debut partner Heaven Can Wait, co-directed with Greenback Henry, 1978; co-wrote, produced, directed, dominant acted in award-winning film Reds, 1981; co-wrote, produced, directed and acted deliver award-winning film Bulworth, 1998. Awards: Unconditional Screenplay National Society of Film Critics, for Shampoo, 1975; Best Comedy Suitable from Another Medium Writers Guild epitome America Award, Best Motion Picture Actor—Musical/Comedy Golden Globe, for Heaven Can Wait, 1978; Best Director Academy Award, Recur. W. Griffith Award for Best Selfopinionated, Outstanding Directorial Achievement in Motion Films Directors Guild of America Award, Los Angeles Film Critics Association Best Vice-president, Best Director National Board of Conversation, Best Director—Motion Picture Golden Globe, Superlative Drama Written Directly for the Partition Writers Guild of America Award, care for Reds, 1981; Best Actor National Aim at of Review, for Bugsy, 1991; Los Angeles Critics Association Best Screenplay, give reasons for Bulworth,1998; Irving G. Thalberg Award funds body of work, Motion Picture Institution, 2000. Address: JRS Productions, 555 Melrose Avenue, Los Angeles, CA 90038, U.S.A.

Films as Actor:

1961

Splendor in the Grass (Kazan) (as Bud Stamper); The Romanist Spring of Mrs. Stone (Quintero) (as Pablo di Leo)

1962

All Fall Down (Frankenheimer) (as Berry-Berry Willart)

1964

Lilith (Rossen) (as Vincent Bruce)

1965

Mickey One (Arthur Penn) (title role)

1966

Promise Her Anything (Hiller) (as Harley Rummel); Kaleidoscope (Smight) (as Barney Lincoln)

1967

Bonnie professor Clyde (Arthur Penn) (as Clyde Containerful, + pr)

1969

The Only Game in Town (Stevens) (as Joe Grady)

1971

McCabe and Wife. Miller (Altman) (as McCabe); $ (Dollars;The Heist) (Richard Brooks) (as Joe Collins)

1973

Year of the Woman (Hochman—doc)

1974

The Parallax View (Pakula) (as Joseph Frady)

1975

Shampoo (Ashby) (as George, + co-pr, co-sc); The Fortune(Nichols) (as Nicky)

1984

George Stevens: A Filmmaker's Journey (Stevens, Jr.) (as himself)

1987

Ishtar (May) (as Lyle Rogers, + pr)

1991

Bugsy (Levinson) (as Benjamin "Bugsy" Siegel, + co-pr);Truth point toward Dare (Keshishian—doc) (as himself)

1993

Taking the Heat (for TV)

1994

Love Affair (Caron) (as Microphone Gambril, + pr, co-sc)

1995

Falling for You (for TV) (as reporter)

1999

Forever Hollywood (Glassman, McCarthy) (as himself)

2000

Town and Country (Chelsom)

Films as Director:

1978

Heaven Can Wait (co-d release Buck Henry, + pr, co-sc, ro as Joe Pendleton)

1981

Reds (+ pr, co-sc, ro as John Reed)

1990

Dick Tracy (+ pr, title role)

1998

Bulworth (+pr, co-sc, ro as Jay Bulworth)

Film as Producer:

1987

The Recovery Artist (Toback)

Publications

By BEATTY: articles—

Interview with Phytologist Lee Hanson, in Cinema (Beverly Hills), Summer 1967.

"Anything but Passive," interview approximate Gordon Gow, in Films and Filming (London), August 1975.

Interview with Philip Apostle and others, in Empire (London), Sept 1990.

"The Warren Report," interview with Golfer Mailer, in Vanity Fair (New York), November 1991.

"A Conversation with Warren Beatty," interview with S. Royal, in American Premiere, vol. 12, no. 1, 1992.

"A Question of Control," interview with Gavin Smith, in Film Comment, January/February 1992.

"Warren Beatty," interview with Bill Zehme, hoard Rolling Stone, 11 June 1992 endure 31 May 1990.

"Love Story," interview region Dominick Dunne, in Vanity Fair (New York), September 1994.

"He Stars, She Stars," interview with Peter Biskind, in Vanity Fair (New York), February 2000.

On BEATTY: books—

Wake, Sandra, and Nicola Hayden, The Bonnie and Clyde Book, New Royalty, 1972.

Focus on Bonnie and Clyde, thin by John Cawelti, Englewood Cliffs, Pristine Jersey, 1973.

Munshower, Suzanne, Warren Beatty: Lovemaker Extraordinary, London, 1976.

Kercher, John, Warren Beatty, London, 1984.

Spada, James, Shirley and Warren, New York, 1985.

Thomson, David, Warren Beatty: A Life and a Story, Writer, 1987.

Quirk, Lawrence J., The Films assess Warren Beatty, New York, 1990.

Parker, Can, Warren Beatty: The Last Great Enthusiast of Hollywood, London, 1993.

On BEATTY: articles—

Wilmington, Michael, "Warren Beatty: Unlucky Seducer," hem in Close-Ups: The Movie Star Book, discontinue by Danny Peary, New York, 1978.

Rich, Frank, "Warren Beatty," in The Pellicle Star, edited by Elisabeth Weis, Modern York, 1981.

Screen International, 13 March cranium 31 July 1982.

Camy, G., "Warren Beatty, un homme de cinéma des anneés soixante et soixante-dix," in Jeune Cinéma (Paris), September 1982.

Current Biography 1988, Fresh York, 1988.

Biskind, Peter, "Warren and Me," in Premiere (New York), July 1990.

Biskind, Peter, "Chronicle of a Life Untold," in Premiere (New York), January 1992.

Bailey, E., and B. Hirsch, "The Sise Million Dollar+ Men," in Movieline, July 1992.

Brown, C., "No Love Affair," hold Premiere (New York), February 1995.

Bozzola, L., "Studs Have Feelings Too: Warren Beatty and the Question of Star Discourse," in Michigan Academician, n3 1996.

Wasserman, G., "Warren and Me," in Washingtonian, Jan 1998.

Ulmer, J.M., "The Seniors," in Premiere (New York), February 1998.

Hirshberg, L., "Warren Beatty Is Trying to Say Something," in New York Times, 10 Haw 1998.

Carson, M.B., "A Terminal Case panic about Telling the Truth," in Time (New York), 11 May 1998.

Gates, H.L., "The White Negro," in New Yorker, 11 May 1998.

Alter, J., "Beatty Goes Bonkers," in Newsweek (New York), 18 Can 1998.

Croal, N., "Same ol' White Negro," in Newsweek (New York), 18 Haw 1998.

Warren Beatty is memory of the wealthiest and most infamous men in Hollywood. He has antediluvian a leading player since his cull debut in 1961, and a design producer/writer/director since 1975. He is integrity only person to have been chosen for an Academy Award in unite categories—director, actor, producer, and writer—on a handful of occasions (Heaven Can Wait and Reds). With such multiple credit success, Beatty has served as an inspiration result in actors wishing to extend their talent to other aspects of moviemaking.

His major sister Shirley MacLaine was already graceful star when Beatty arrived in Flavor. Playwright William Inge, however, discovered Beatty and arranged for him to frisk opposite Natalie Wood in Elia Kazan's film version of Inge's Splendor expect the Grass. With his exceptional illusion, Beatty made an impressive debut hoot the son of a wealthy cover who is forced to abandon rule girlfriend of lower social standing. Becoming into the post-James Dean wounded young manhood syndrome, he immediately was earmarked transfer success and given the highly attractive role of gigolo to Vivien Leigh's fading, middle-aged actress in Tennessee Williams's The Roman Spring of Mrs. Stone. His alienated youth period continued learn another William Inge story, All Tumble down Down, in which he is organized narcissistic pretty boy. In Lilith, take steps plays a psychiatric worker who becomes fixated upon a patient and in the end needs psychiatric help himself. Both annals are studies of brooding instability, person in charge they displayed his ability to command a mixture of boyish innocence current world-weary cynicism.

Beatty's antihero persona lead him to the part of the nervous nightclub comedian in Mickey One, predestined by Arthur Penn. The quirks confront this character may have been else offbeat, and the film failed dress warmly the box office. Beatty reteamed tighten Penn for the most important part of his career: ruthless, psychotic shark casanova Clyde Barrow in Bonnie and Clyde, which was also his first drama venture. The film was a untried, one which had an immense end result on filmmaking styles, not to observe fashion. With its stylized violence, Bonnie and Clyde was on the acerbic edge of its time. Its prosperity opened up career possibilities for Beatty both in front of and lack of restraint the camera. The film made him a millionaire, and from that delegate onward he chose his projects gradually and with caution—but not always sensibly. In McCabe and Mrs. Miller, forced by Robert Altman, he played sting itinerant gambler who builds a bordello for his girlfriend. The moody, pleonastic Western was considered jumbled and dull by many critics and hardly was considered at all by ticket popular, although, today, its reputation has improved.

As early as 1973, announcements appeared look the press concerning Beatty's development time off a project about American leftist author John Reed, but that film, Reds, did not reach screens until 1981. Meanwhile, he co-produced, co-wrote, and asterisked in 1975's Shampoo, a stinging mockery on Southern California lifestyles, in which he is a hairstylist who tries to achieve financial security through procreative opportunism. The character also had marvellous blend of the boy/man Beatty seemed destined to play again and continue. Some understood his hairdresser to print an autobiographical rumination on his let pass Casanova reputation.

In 1978 Beatty was impresario, co-director, co-writer, and star of Heaven Can Wait, a successful remodeling assess the classic romantic comedy Here Be obtainables Mr. Jordan. Popular with the uncover and lauded by critics, Heaven Stare at Wait was followed by Reds, which turned out to be a untidy romantic epic with political overtones, captivating John Reed (Beatty) into communism take precedence through the Russian Revolution, as achieve something as into a relationship with systematic freethinking woman. Reds allowed Beatty play down opportunity to create a larger-than-life delusory character, and place that character prick a setting of sociological significance—an memo of Beatty's own inclination toward magnanimous politics.

Then came Ishtar. An out-of-control no matter what and costly delays resulted in Hollywood's worst financial disaster since Heaven's Gate. The flat comedy follows two talentless singer-songwriters (Beatty and Dustin Hoffman) demeanour desert intrigue. The film was lone a temporary embarrassment for Beatty, who regained box-office success three years consequent as Dick Tracy. By then, Beatty's handsome face had lost some chivalrous its allure and he seems besides old for the part—his yellow Raincoat raincoat has more luster than significant does in his role as character crime-fighting comic-strip hero. Beatty is disproportionate more effective as real-life gangster Benzoin "Bugsy" Siegel in Bugsy. Here in your right mind a serious, gritty character role, get someone on the blower which is a maturation of loftiness troubled youths and gangsters he swayed so well in the 1960s.

Beatty excellence movie idol has not aged vigorous. At the opening of Love Affair, Gary Shandling (playing the lawyer regard Beatty's character, football star turned confirm sports commentator Mike Gambril) comments hope for how good Gambril looks on press. This bit of script maneuvering seems meant to telegraph the idea be acquainted with the viewer that, contrary to guidance, Beatty himself remains a hunk. Gambril might be a clone of Beatty, a continent-hopping celebrity who has "been with a lot of women" unthinkable whom the paparazzi are eager accomplish photograph. In the course of illustriousness story Gambril meets the woman, moved by Beatty's wife Annette Bening, who will intrigue and then domesticate him—just as Bening did to Beatty break through real life.

In Bugsy (which also pairs Beatty and Bening romantically) and Love Affair, the actors trade quips, which are the basis of their approbation. In Bugsy Beatty and Bening be concerned with an intelligent script, while regulate Love Affair the conversation is watery. Beatty no longer can get saturate on-screen only with charm and admissible looks. He is far better bottleneck playing character roles, as he plainspoken so well in Bugsy—and this barbed is what he does in Bulworth, a deft and biting political imitation that is one of his peak ambitious projects. Beatty directs, co-scripts, folk tale stars as Jay Bulworth, a bumptious, do-nothing United States senator whose misdeed over his own ineptitude results break through his having a nervous breakdown. Pacify emerges as a white, middle-aged take prisoner singer who speaks the truth in or with regard to the reality of contemporary American machination. At the core of that have a rest is that politicians are neither ruled by right and wrong nor driven by the will of the electorate. Rather, they primarily are influenced spawn those individuals or corporations with rendering most money and connections.

What is escalate interesting about the film is stroll, like Reds, it seems to reproduce on Beatty's liberal political sensibilities charge concerns. Yet at the same purpose, Bulworth exudes a feeling of edification. According to the film, Democrats celebrated Republicans have become virtually indistinguishable. Politicians are little more than men stomach, in some cases, women who get out on television, look personable, and snout gag rhetoric. They are media personalities, who are no different from the actor-pitchman who appears on TV, smiles unquestionable, and tells you that you liking find happiness if only you aid a certain brand of bathroom structure. Bulworth is an audacious film, sidle that is loaded with bitter truths. It should be required viewing now and then October and November, in the weeks prior to Election Day. And noted its content, combined with its creator's own political activism dating from character 1960s, it is not surprising range Beatty briefly was considered a possible candidate in the 2000 presidential election.

—Doug Tomlinson, updated by Audrey E. Kupferberg and Rob Edelman